- Treasure at Tanglewood: Saturday morning talks and rehearsals a welcome opportunity to enjoy and learn
- Captivating production of Kiss Me, Kate now on stage at Barrington Stage Company
- It’s a Wonderful Life: A Live Radio Play is a holiday delight at Shakespeare & Company
- Mark St. Germain’s new play about Fitzgerald and Hemingway makes for a gripping evening of theater
- Tanglewood Music Center Orchestra offers a stellar performance on a perfect Sunday afternoon
Daily Archives: June 16, 2011
Pissarro’s People is an insightful, illuminating exhibition of works by Impressionist great Camille Pissarro
Reviewed by Lesley Ann Beck
[WILLIAMSTOWN, Mass.] – A poignant portrait of a little girl in a rose garden, a graceful trio of young women picking apples, and a gardener harvesting brilliant green cabbages are among the many marvelous paintings in Pissarro’s People, the fascinating exhibition of works by Impressionist painter Camille Pissarro (1830-1903), that opened Saturday and will be on view at the Sterling and Francine Clark Art Institute through October 2.
Pissarro’s People, curated by Richard R. Brettell, is the first major exhibition to explore the philosophy and political outlook of the painter relative to his portrayal of the human figure, in approximately forty paintings and fifty works on paper.
Pissarro’s People begins in the first floor Manton Gallery with an enormous black and white photograph of Pissarro and his family, sitting together out-of-doors, on a haystack. The image is emblematic of the show, which portrays the artist’s devotion and dedication to his family, his appreciation of and engagement with the agricultural community and rural life, and his philosophy of a better world to come, one where people were respected for the work they did, whether they were farmers or servants or artists.